About Early Media
Early Media is creating and distributing groundbreaking original series. We craft narratives with viral potential while preserving the heart of indie production, telling meaningful stories audiences actually care about. Every creative decision is sharpened by a proprietary testing and marketing engine that collapses the distance between filmmaker and audience into the tightest iteration loop in the industry.
We're hiring a Publishing Operations Manager to own everything between a finished master and an audience seeing it: how each title is presented, when it goes out, and through which surfaces. You are the project manager for publishing – the single person who knows the state of every title on the slate.
What you'll own:
Release calendar: What goes live when, and at what episode cadence, across the whole slate. You’ll drive the calendar and ensure releases stay on schedule. Tracking what each release depends on, checking on those items regularly, and helping to unblock anything that's running late.
Publishing: Getting content onto the platform. Ingest, QC, metadata attachment, scheduling, and verifying that each release actually published correctly.
Presentation and metadata: Titles, synopses, episode naming, thumbnails, key art, and catalog placement for every title and every episode inside it. You will help develop and implement the platform’s voice and style. You also run the thumbnail and title testing loop and feed what wins back into the standard.
Owned surfaces: Our website/landing presence and newsletter: built, live, and maintained, plus the low-volume editorial that runs on them.
Content defense: Keep our library enrolled in platform rights tooling, monitoring for unauthorized uploads, and issue takedowns.
Connective tissue: Translating release context to production, product, distribution, and comms.
Must have:
Compulsively organized: You're the person who spots the one mislabeled episode out of two hundred. Not knowing the state of something bothers you until it's resolved.
Multi-title release experience: You've shipped content on a published schedule across many simultaneous titles — and held the schedule when something upstream slipped.
Hands-on CMS work: Comfortable in a publishing back-end or streaming CMS — ingest, metadata fields, scheduling tools — and fast on one you've never seen before.
Metadata rigor: You've written or enforced a house style — naming conventions, synopsis formats, thumbnail specs — and can explain why consistency compounds.
Clear-eyed about the role: This is publishing operations, not development or production. If your ambition is to make the shows, you will be frustrated here.
Nice to have:
Experience at a streaming service, digital publisher, or platform with a recurring release calendar
Familiarity with vertical, social-first content and how it's consumed
You've run release posts on a brand's own accounts, not just your own.
Worked with rights or anti-piracy tooling, or filed takedowns yourself
Newsletter and lightweight web CMS experience (Beehiiv/Substack, Webflow/Framer)
Built a project management system that other people actually used
Comfortable with analytics: reading browse-to-play and completion data and changing presentation based on it
Skills Required
- Highly organized and detail-oriented, with the ability to track the status of numerous titles and identify labeling or scheduling errors.
- Experience shipping content across multiple simultaneous titles on a published schedule.
- Experience maintaining release schedules and resolving or escalating upstream delays.
- Hands-on experience with a publishing backend or streaming CMS, including content ingestion, metadata fields, and scheduling tools.
- Experience creating or enforcing metadata standards, including naming conventions, synopsis formats, and thumbnail specifications.
What We Do
Early Media is a production and distribution company creating original series designed for viral potential. By combining indie production values with a proprietary testing and marketing engine, they aim to bridge the gap between filmmakers and audiences, bypassing legacy media bureaucracy to deliver meaningful stories through modern, high-impact storytelling platforms.
