Temporary Overhire Production A2

Posted 3 Months Ago
Be an Early Applicant
Bank Street, Malvern Hills, Worcestershire, England, GBR
In-Office
30-30 Hourly
Junior
Professional Services
The Role
Support audio and video needs for College of Performing Arts events: setup, patch, test, and operate audio systems; mix monitors; coordinate RF microphones; execute stage moves; supervise technicians; and strike equipment. Work is scheduled on an as-needed, overhire basis.
Summary Generated by Built In

Join The New School 

At The New School, we redefine the boundaries of education, creativity, and innovation. Founded in 1919 and located in the heart of New York City, we are home to over 9,000 students from over 100 countries, offering more than 135 degree and diploma programs across our renowned colleges, including Parsons School of Design, The New School for Social Research, Eugene Lang college of Liberal Arts, Parsons Paris, and the College of Performing Arts. Our progressive, interdisciplinary approach has earned us recognition as one of the most forward-thinking institutions in the world.

POSITION/ROLE OVERVIEW

The Production Department at The New School’s College of Performing Arts is seeking a highly qualified Overhire Production A2 to join its team. Reporting to the Audio & Video Supervisor, the Overhire Production A2 is directly responsible for supporting the audio and video needs of academic related performances and partner events across the College of Performing Arts.

The Overhire Production A2 is responsible for running audio related crew on the stage and facilitating stage moves. The Overhire Production A2 is also responsible for coordination of RF mics.

This is an overhire position without regular or guaranteed weekly hours. Opportunities for work will be scheduled on an as-needed basis by the Audio & Video department. This position may be renewed pending institutional need and availability of funding.

CORE CAPABILITIES, PRIMARY DUTIES, AND RESPONSIBILITIES

  • Understand and execute the technical aspects of each design, including interpreting audio needs and all signal flow plans, I/O lists, and stage plots

  • Setup, place, patch, and test all microphones with the A1 and any additional audio labor.

  • Mix Monitors for events that require it

  • Coordinate RF Mics for events that require it. 

  • Execute any stage moves required by the show

  • Provide professional, courteous service to all parties

  • Fulfills the role of System Tech or Console Operator, or both when required, depending on the size of the event

  • Responsible for setup, operation, and strike of equipment before, during, and after events, including audio consoles, playback support systems, and any audio related gear as required

  • Direct any technicians under their supervision in the completion of any required tasks, providing guidance when necessary to deliver the University’s standard

  • Additional responsibilities as assigned

QUALIFICATIONS

  • At least 2 years of experience as a live sound engineer for concerts, corporate events or theater

  • Excellent knowledge of proper gain structure and signal flow

  • Working knowledge of audio related software, such as  Wireless Workbench 6, Pro Tools, Logic. Dante Virtual Soundcard, Dante Controller, etc.

  • Ability to interpret event technical documents including technical riders, signal flow diagrams, input lists, stage plots, run-of-show, and cue lists.

  • Strong verbal and written communication, organization, and time-management skills

  • Ability to communicate with Audio & Video Supervisor, Projections Designer, other departments, and Production Management to ensure a smooth show.

  • Punctuality, professionalism, and a positive collaborative attitude when working with Students, Faculty, Staff, and Team Members. 

PREFERRED QUALIFICATIONS

  • Corporate, Special Events, Festival Sound, and Broadcast experience are all plusses 

  • Self-motivated with ability to work with minimal supervision

  • Able to lift up to 50lbs

  • Ability to safely climb ladders and scaffolding, operate Genies, and comfortable working at heights

  • Monitor mixing skills and working knowledge of digital consoles, specifically, Yamaha, Allen & Heath, Midas, and Behringer

WORK MODE

This position is primarily in-person and is based on campus to support effective in-person collaboration and engagement.

SALARY RANGE

$30.00/hour 

WHY JOIN US?

This is an extraordinary opportunity to work closely with a visionary leader and contribute meaningfully to a forward-thinking institution that’s reshaping the future of higher education. You’ll be at the nexus of strategy, operations, and innovation in a role that grows with your impact.

We are an equal opportunity employer and do not discriminate in hiring or employment on the basis of race, color, creed, religion or belief, national or ethnic origin, citizenship status, marital or domestic partnership status, sexual orientation, sex, gender identity or expression, age, disability, military or veteran status, or any other characteristic protected by federal, state, or local law. The New School recognizes and values the benefits of a diverse workforce.

SPECIAL INSTRUCTIONS TO APPLICANTS

Applicants should submit a resume outlining their skills and experience concerning this position.

We look forward to receiving your application!

Skills Required

  • At least 2 years of experience as a live sound engineer for concerts, corporate events or theater
  • Excellent knowledge of proper gain structure and signal flow
  • Working knowledge of audio related software, such as Wireless Workbench 6, Pro Tools, Logic, Dante Virtual Soundcard, Dante Controller
  • Ability to interpret event technical documents including technical riders, signal flow diagrams, input lists, stage plots, run-of-show, and cue lists
  • Strong verbal and written communication, organization, and time-management skills
  • Ability to communicate with Audio & Video Supervisor, Projections Designer, other departments, and Production Management
  • Punctuality, professionalism, and a positive collaborative attitude
  • Corporate, Special Events, Festival Sound, and Broadcast experience
  • Self-motivated with ability to work with minimal supervision
  • Able to lift up to 50lbs
  • Ability to safely climb ladders and scaffolding, operate Genies, and comfortable working at heights
  • Monitor mixing skills and working knowledge of digital consoles, specifically Yamaha, Allen & Heath, Midas, and Behringer
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HQ: New York, NY

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